Heading towards a metalworks factory at the edge of the known universe, a pristine, young accountant named William Blake steps into the ungodly, mechanical hell that is the town of Machine. And so begins this man's descent into purgatory...in the wrong place, at a point where time itself is nonexistent. Blake arrives in Machine after a demented, tireless train ride through what may be his own self. Spanning the beauty of epic horizons and dense forests, yet ending in the bleak misery of the barren desert, we meet this out-of-place traveler in a tiring, strange situation. His frailty is evident: alone, without a living heir, struggling to make his way amidst the freaks and grim destination that awaits. As expected, the town itself begs no welcome, as the malevolent rumors prove true, and leave Blake face to face with the dusty spines of inexorable destiny. In more ways than one, the Wild West awaits... From this point on, Blake embarks on his surrealistic journey into nothingness, as he becomes a marked man running from nearly everyone and everything. Trusting in a Native friend (appropriately named 'Nobody'), the descent into Blake's rejection is juxtaposed with the realities of a truly inescapable destiny. As such, the notions of ill fate and bad luck are separately defined alongside each other. Soon enough, however, Blake learns to cope with the road to ruin, and from his relationship with Nobody, he begins to transform into the gunslinging poet he never was.

 Lt. John Dunbar is dubbed a hero after he accidentally leads Union troops to a victory during the Civil War. He requests a position on the western frontier, but finds it deserted. He soon finds out he is not alone, but meets a wolf he dubs "Two-socks" and a curious Indian tribe. Dunbar quickly makes friends with the tribe, and discovers a white woman who was raised by the Indians. He gradually earns the respect of these native people, and sheds his white-man's ways.

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The movie continues where the last one with Marty stuck in 1955. But Doc Brown sent him a letter from 1855 through Western Union, that told him that after the Delorean was struck by lightning he was sent to 1855 and was unable to repair it, but has managed to bury it somewhere, where Marty can get to it in 1955 and hopefully the younger version of himself can repair it so he can drive it back to 1985 and then destroy it. But after finding it, Marty discovers that shortly after sending the letter Doc would be shot by an outlaw, Mad Dog Tannen. Marty then goes back to 1885 to save him and meets his ancestors. After finding the Doc, they were about to leave when Marty told the Doc that upon arriving the Delorean's gas tank was punctured, so they don't have any gasoline to run the car, which means they have to find some way to get the car to 88 mph. They decide to try pushing it with a locomotive. And things are fine except for the fact that Tannen, who had it in for Doc, now has it for Marty and has challenged him to gunfight on the day that they are going to leave, and Doc is smitten with Clara Clayton, the new school teacher.

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...The campaign for Texas's independence was inspired by their last stand against the Mexican army during the famous San Antonio siege. Davy Crockett (Billy Bob Thornton) and Jim Bowie (Jason Patric) were among nearly two hundred Texans who held the Franciscan mission that was converted into a military fort in the spring of 1836. Men of all races who believed in the future of Texas were under siege by Mexican forces headed by the dictator of Mexico, General de Santa Anna, for 13 days. Deeds of Alamo soldiers would pass into history as General Sam Houston's war-cry for Texas independence.

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